Category Archives: Television History

Loretta Brophy, WABD, 1945

1945WABDCamel

Seventy years ago today, life was good. The War was over, television was becoming a reality, and you could buy a pack of Camels whenever you wanted. Shown here in the December 10, 1945, issue of Life Magazine is Loretta A. Brophy, getting ready to enjoy a Camel during a break from her busy job as program director at the New York DuMont television station, WABD.

The ad also showed Miss Brophy rehearsing with a song-and-dance team, but pointed out that the next day, it might be a quiz program or grand opera. Miss Brophy called her job “fast, exciting, fun!”

And when she called “cut,” that meant the show was over, but Camels were still in order. She reported that during the wartime cigarette shortage, “when I couldn’t get Camels, I smoked anything I could get, more different brands than I can remember. That’s when I learned really to appreciate Camels–there’s nothing like a Camel.”

Other than this advertisement, I wasn’t able to find any other references to Miss Brophy, although she was obviously one of the pioneers of television. She wasn’t alone, as women held a number of important positions.

1945WootenWhile not mentioning Miss Brophy, the Spring 1945 issue of Televiser carried a feature entitled “Women in Television.” At WABD, when the wartime manpower crisis put a damper on hiring, “women in slacks blossomed forth as ‘cable engineers’ (studioese for people who haul co-axial cables out of the way of the cameramen). One of WABD’s early staffers was Dotty Wooten, shown here. She was hired as a stenographer in 1943, but was one day called in to fill an emergency slot as announcer. The magazine reported that she had filled the announcing post ever since.

In our previous post about WABD, we noted that the station really had no full-time staff when it first came on the air.  The station was on the air three evenings a week, and was largely staffed by workers at DuMont’s New Jersey war plant.  With men off to war, it wasn’t surprising that women were called on to staff the station.

The same issue of Televiser  gave some insight into the challenges faced by Miss Brophy in her job.  Directing a television program was challenging, as it involved careful choreography of the cameras.  Each of the large cameras was fed with a thick coaxial cable from behind.  Therefore (except perhaps with the assistance of one those cable engineers), it was impossible for one camera to cross behind another.  Therefore, one camera had to be already in place for the next shot before the second camera “dollied in” for a closeup.  Interestingly, the byline for the sidebar explaining this choreography was that of a woman, one Patricia Murray, also on the staff of WABD.

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Stratovision: Airborne TV Broadcasting

stratovision1945

Seventy years ago this month, Radio Craft magazine, October 1945, introduced the concept of Stratovision, and the illustration above showed how it could work.

The war was over, and the American public was hungry for television.  A handful of markets already had stations using the same format that would remain in use for seventy years.  For example, the predecessor of WNBT-TV came on the air in New York in 1939.  And the predecessor of WABD signed on in 1944.  And starting in 1942, Los Angeles had the station that would become KTLA.  But most of the nation was dark as far as television signals.  To get signals to a significant proportion of the populations would require hundreds of stations.  And getting network programs to those stations would require either hundreds of microwave relay stations, are a coaxial network estimated to cost a hundred million dollars.

Stratovision provided an alternative.  The plan was proposed in 1945 by Westinghouse, and was the brainchild of engineer C.E. Nobles.  Under the plan, fourteen aircraft would fly at the predetermined locations shown on the diagram at an altitude of 30,000 feet where they would continually orbit their designated location.  They would transmit VHF and UHF television signals, as well as FM broadcasts.  Because of the antenna height, each plane would provide a good broadcast signal to an area 422 miles in diameter.  And because there would be no terrain that would need to be overcome, the transmitters could operate with much less power than ground-based stations.

The system also solved the problem of delivering network programming.  Only eight planes would be required to link New York with Los Angeles.  The planes would establish a reliable network whenever they were in flight, and the fourteen planes would provide broadcast television to 78% of the country’s population.  The plan called for each plane to broadcast four television and five FM signals.

The plan may appear far fetched to some, but it is sound, and would result in a workable national network.  The system was tested by Westinghouse in 1948 and 1949, as seen in this photo.   In one 1949 test, the aircraft shown here, a B-29, relayed the signal of WMAR-TV in Baltimore on channel 6, using a 5 kW video and 1 kw aural transmitter. In June 1948, the same aircraft was used to rebroadcast the Republican National Convention in Philadelphia for one hour. As part of the test, a receiver was set up in Zanesville, Ohio, where it was used to demonstrate to the gathered newspaper reporters that the system was capable of reaching small town and farm homes.

Reception reports were solicited, and many were received.  From the reports, Westinghouse confirmed that eight planes would provide the transcontinental relay.

There’s nothing technically unfeasible about Stratovision.  The reason why it never took off (pardon the pun) was probably the mere fact that broadcast stations did spring up nationwide.  They were initially provided with programs by kinescope recordings, but microwave and coaxial transmission quickly came into place.  For example, by 1950, the Minneapolis/St. Paul market was getting the national networks live, by means of a coaxial cable from Des Moines, which was in turn linked to Chicago by microwave relay.  Once the network signal was in place, there was no need for Stratovision’s relay services.  And by this time, most major cities had multiple stations, and smaller markets had at least one.  And for those far in the hinterlands, there were herculean efforts to get the distant terrestrial signals, such as those use in the tiny communities of Ellensburg, Washington and Marathon, Ontario.

But despite the fact that Stratovision was never adopted for its intended purpose, it did live on, and continues to do so, in some specialized niches.  For example, between 1961 and 1968, educational programs were broadcast from two DC-6AB aircraft based at Purdue University by the Midwest Program on Airborne Television Instruction (MPATI).  The MPATI aircraft would fly in a figure-8 pattern for six to eight hours at a time at 23,000 feet above a point just north of Muncie, Indiana.  Prerecorded educational programs were broadcast on UHF channels 72 and 76, with call letters KS2XGA and KS2XGD.  The transmission diameter was 200 miles, and covered both the Chicago and Detroit metropolitan areas.

Between 1966 and 1972, the U.S. Navy used Stratovision to broadcast two channels in the area surrounding Saigon, South Vietnam.  One channel was intended for the Vietnamese audience, with the other providing information and entertainment programs to U.S. servicemen.  Armed forces programs were carried on channel 11, with call letters NWB-TV, with the Vietnamese program on channel 9 with call letters THVN-TV.  The aircraft also broadcast on 1000 kHz AM and 99.9 MHz FM.  The Vietnamese program typically ran 1-1/2 hours per day, with the armed forces channel running three hours per day.  American programs included Bonanza, Perry Mason, Ed Sullivan, and the Tonight Show.

Click photo for screen-resolution image

Pennsylvania Air National Guard Commando Solo aircraft preparing to depart for emergency broadcasts to Haiti in 2010. Department of Defense photo.

The U.S. military continues to use EC-130 Commando Solo aircraft to provide PSYOPS broadcasts during war.  Most recently, only radio programming has been used.  But the aircraft is capable of television transmissions.  For example, in 1999 in the former Yugoslavia, some television programming, using Yugoslavian broadcast format, was transmitted from aircraft.  Typically, Commando Solo transmits an FM program, along with broadcasts on the standard AM band and short wave.  For AM and short wave, the airborne transmitter has no particular advantage, other than providing a secure location to house the station.  But on FM, the signal, like the original Stratovision concept, takes advantage of the aircraft’s altitude, and can provide a strong broadcast signal over a large area with a relatively low powered transmitter.  The photo here shows a Pennsylvania Air National Guard Commando Solo aircraft preparing to depart for Haiti to make emergency broadcasts in the wake of the 2010 earthquake.

During the 2011 attack on Libya, Commando Solo aircraft broadcast information.  Transcripts of the broadcasts are available at PsyWar.org.  Since the Libyan broadcasts were carried on short wave as well as FM, they were heard by short wave listeners worldwide, including myself.  A recording of the transmissions can be found at this video:

 

 

 

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WNBT-TV New York, 1945

 

1945WNBTSeventy years ago today, NBC took out a two-page ad in Life Magazine, October 15, 1945, promoting itself as America’s No. 1 Network.

In addition to promoting its radio programs, it offers a reminder that “‘The Tomorrow’ people talked of only a short time ago, is here today.” It points out that thousands in New York were already enjoying visual entertainment, news, sports, fashion shows, dramas and other programming from WNBT. The ad points out that five large advertisers were already on board, and as more sets became available, larger TV audiences would be able to find visual pleasure in the words, “This is the National Broadcasting Company.”

The production shown here is apparently one of those fashion shows going out over the station which had first signed on in 1939.  The station already had competition from two other stations, including Dumont station WABD.

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1945 Los Angeles Radio and TV

101045RadioHightlights

Here is what was on the radio 70 years ago today, October 10, 1945, in Los Angeles.  This listing is taken from that week’s issue of Radio Life, which contains, in addition to these highlights, the complete program listings.

You’ll see that there are three television programs, on station W6XYZ, the predecessor of KTLA.  The station was owned by Paramount, received its construction permit in 1939, and came on the air for the first time in 1942, on channel 4.   The station received its commercial license and the KTLA call letters in 1947, the first commercial television station west of the Mississippi.

On this day, starting at 8:00 PM, the station signed on with a test pattern that ran for a half hour, followed by “Scanning the Globe” at 8:30, “Fashion Guide” at 8:45, and “Variety” at 9:00.

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TV Comes to Marathon, Ontario, 1953

GreenBayMarathonIn 1953, Marathon, Ontario, was a full 300 miles away from the nearest TV station, WBAY channel 2, in Green Bay, Wisconsin. That distance didn’t stop Grant Ross from deciding that the town needed television, and he set out to deliver. He discovered that from a hill 300 feet above the shore of Lake Superior, the signal was perceptible, and he set out to get reliable reception. Half of the path between Green Bay and Marathon was over the waters of Lake Superior. However, Green Bay was on the shores of Lake Michigan, and the signal had to cross 152 miles of Wisconsin  and Upper Michigan countryside before reaching the unobstructed waters of Lake Superior. But it did so, and Ross was intent on providing a signal to the town. He wound up constructing a rhombic array on 45 poles mounted atop the hill. This signal was fed down to the town on an 1800 foot transmission line. A 1955 report showed that he received “excellent” signals at least 40% of the time. Reception was “poor or useless” only 20% of the time.

Ross signed up over 400 homes for his pioneer Community Antenna Television (CATV) systam, collecting a $50 installation fee from each. In addition, the monthly subscription for the service was $2.50.

A few years later, channel 2 came on the air in Port Arthur, Ontario (now Thunder Bay), and he switched the service to that. The rhombic was rebuilt to receive the new signal from WLUC in Marquette, Michigan, which was a relatively easy catch, being 166 miles away, but with a path entirely over the waters of Lake Superior.

 

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UHF TV in Bridgeport, CT, 1950

1950AugPSThe contraption shown here was part of a 1950 RCA test of the capabilities of UHF television. The truck, carrying an extension ladder, cruised the streets of Bridgeport, Connecticut, to test the signal being put out by its experimental UHF television station, KC2XAK.

Inside the station wagon was a TV receiver evaluating the quality of the picture being received from the antenna atop the ladder.

The article from which this picture is taken, the August 1950 issue of Popular Science, points out that cities such as Bridgeport faced challenges getting television. With only twelve VHF channels allocated, the stations in New York had already filled the quota. Bridgeport was too far away for good over-the-air reception, but too close to use the same channels in use in New York or the adjacent ones. The solution was seen in setting up a “slave” UHF station. KC2XAK was rebroadcasting the signal of WNBT in New York, to about 100 homes in Bridgeport that had been equipped with UHF converters. The video was received by the relay station from a microwave feed from the Empire State Building. The audio was simply received over the air for retransmission.

The article noted that reception by the test households was good, and that UHF offered a promising way to deliver television to smaller cities.

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1950 Poolside Television

1950PoolsideTV

65 years ago, the young women shown here were enjoying the Hoffman Model 947 television poolside at the Beverly-Wilshire Hotel in Beverly Hills. The accompanying article in the July 1950 issue of Radio News notes that until recently, such activity would have been impossible, since full enjoyment of the program necessitated darkness or semi-darkness, not to mention what to do with the unwieldy line going to the antenna.

But that was all in the past, since black-faced picture tubes and improved circuit designs had resulted in greater brightness and better receiver sensitivity. A prominent motion picture star had been discussing the problem with the president of the set’s manufacturer, and had been enjoying programs poolside for quite some time. The idea soon spread, not only to the Hollywood elite, but to the area hotels.

At the Beverly-Wilshire, every warm day would find a group of swimming and sunbathing guests clustered around the set that had been wheeled out for their viewing pleasure.

And if the set ever needed servicing, the same issue advertised, for only $6.95, a high voltage probe rated at 30,000 volts, just the thing the serviceman would need if some unfortunate guest splashed a little too much water on it.

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Ellensburg, WA, CATV, 1955

1955fringeantenna

Sixty years ago, this was the community television antenna in Ellensburg, Washington, located about 100 miles east of Seattle, with a mountain range in between. It consists of sixteen stacked yagis, half for channel 4, and half for channel 5.

The system was shown in the June 1955 issue of Radio-Electronics,
which reported that the people of Ellensburg were receiving nearly perfect pictures with the new antenna system. The two Seattle stations were KOMO-TV on channel 4, and KING-TV on channel 5.

The same issue lists KCTS as being on the air on channel 9 in Seattle. That noncommercial educational station had just gone on the air in December 1954.

More information about the antenna system can be found in the Ellensburg Daily Record, March 9, 1954.

Hallicrafters TV in Cuba, 1952

HallicraftersCuba

The magazine Radiomania y Television gives an interesting look at pre-revolution Cuba.  This Hallicrafters TV ad appeared in the January 1952 issue.  In addition to the equipment ads, it gives an interesting look at the programming, which appears to have been mostly produced in Cuba.  In addition to about two dozen standard broadcast stations, the island had one FM station (CM2IL on 102.7 MHz) and two TV stations, CMUR-TV, channel 4, and CMQ-TV, channel 6.

Interestingly, the Hallicrafters dealer seems to have an indirect connection with the revolution.  As seen in the ad, the exclusive Hallicrafters dealer was Cia. Cubana de Refrigeracion Electrica, S.A.  About this same time, the bookkeeper at the company was one Reinaldo Boris Luis Santa Coloma.  At some point, he lost his job for trying to organize a union, and later got a job at Sears.  At some point in 1952, he was at the law office of a young attorney named Fidel Castro, where he met his mistress and the mother of his child.

The next year, he was one of 135 revolutionaries who, along with Castro, attacked the Moncada Barracks, which is widely regarded as the start of the Cuban Revolution.

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Mobile TV Repair: 1955

This photo from 60 years ago shows someone doing a job that doesn’t exist any more, namely, TV repair. In particular, it shows Tempe, Arizona, TV serviceman Dick Ramos, owner of the three person company. In addition to himself, he employed an assistant who rode with him on the truck, and an office girl who staffed the shop downtown, taking phone calls and walk-in service requests. Ramos pointed out that it wasn’t necessary to hire a highly trained television repairman to staff the shop. “In a short time an intelligent office girl will know more about a television set than 95 per-cent of the customers she deals with.” Ramos contracted with a radio paging service to relay messages during the day, and he maintained an efficient operation. The truck contained a complete shop with a full array of test equipment, as well as a complete set of service bulletins.