Category Archives: Radio history

Nestle In Your Daddy’s Arms: 1921

1922MayTalkingMachineWorldA hundred years ago this month, the May 1922 issue of Talking Machine World carried this ad promoting the song “Nestle In Your Daddy’s Arms” from its publisher, Leo. Feist Inc., located in the Feist Building, New York City. Presumably, everyone knew where that was, since the ad didn’t bother giving the address. But for those of us not in the know, it was at 231 W. 40th Street.

The song is performed in this video on Columbia Records by Frank Crumit.  If that name sounds familiar, it’s because we previously profiled his wife, Julia Sanderson, with whom he went on to have a popular radio program.  He’s also famous for his thousands of ukulele recordings.

And here it is on the player piano:

You can hear a Victor recording by a quartet at this Library of Congress link.

Music for band in 23 parts is available at this link, and sheet music for piano is available at this link, where it is revealed that the song was penned by Lou Herscher and Joe Burke. Burke went on to pen “Tiptoe through the Tulips” in 1929 and Rambling Rose in 1948. It’s unclear which
came first, but the sheet music also contains French lyrics, “Repose Mon Enfant sur mon Épaule” written by Jean Nelis.



1951 Regency TV Signal Booster

1951MayRadioRetailing2There was a time when people dressed up to watch television, and 70 years ago was one of those times, as shown by this ad from the May 1951 issue of Radio & Television Retailing magazine. This viewer obviously lived in a fringe area, and the signal wasn’t quite strong enough to produce a good picture. This was solved with the addition of a Regency booster, a preamplifier that went in the line between the antenna and TV.

In particular, the booster appears to be Regency’s model DB-410A.



Two Tube Broadcast Receiver: 1951

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Seventy years ago, this gentleman was pulling in a program on the standard broadcast band with headphones, but in the following months, he would be able to listen to the shortwaves with loudspeaker volume. He is shown here listening to the first iteration of a progressive receiver featured in the May 1951 issue of Popular Mechanics. In coming months, additions would be made to the set to allow shortwave reception and loudspeaker operation.

The set was battery powered, and the magazine pointed out that there were a number of good reasons for putting together a battery set. The most important reason was having a set capable of operation independent of the power lines for civil defense purposes. The circuit was also simpler and saved having to deal with baffling power supply troubles.

This version of the set used a 1U4 tube as regenerative detector followed by a 3V4 audio amplifier. An indoor antenna and ground could be used for local statioms, but an outdoor antenna would be best for long distances. “With a battery-operated emergency receiver of this description, you are not cut off from outside news and vital civil-defense information should local power sources fail. Most of us do not realize how important this could be.” You would, of course, need to keep fresh batteries on hand. The circuit called for flashlight batteries for the filament, and a 45 volt battery supplying the B+.

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1921: First Radio Fog Signals in NY Harbor

1921May8NewYorkTribuneA hundred years ago today, May 1, 1921, navigation in New York Harbor became a safer proposition thanks to being equipped with a system of radio warning signals aiding navigation. Lighthouses and light ships had long been present, but they were of very limited usefulness in foggy conditions. Therefore, the lighthouse at Sea Girt, NJ, as well as the light ships Ambrose and Fire Island were equipped with powerful radio beacons.

Official notices had been made to mariners, and many vessels were already equipped with radio compasses in the form of a rotatable loop attached to the receiver. The beacon would identify in Morse, and the bearing could be fixed to within one degree.

Radio had been in operation on the Fire Island for some time, as we recounted previously. That ship was equipped with both a wireless transmitter and a bell. By measuring the time between reception of the radio signal and the bell, distance could be accurately measured.  The Sea Girt lighthouse, however, was the first land-based radio fog beacon in the U.S.

This description of the system appeared in the New York Tribune, May 8, 1921.



1941 Harmonica Microphone

Screen Shot 2021-04-05 at 1.42.10 PMEighty years ago, if you needed room filling volume from your Harmonica, there was no need for additional lung power. Instead, you could move up to the next level with electronic amplification, courtesy of this microphone shown in the April 1941 issue of Popular Mechanics. As shown here, your kids will be delighted at the prospect of this musical entertainment.

The microphone was designed to plug into the phono jack of a radio, and up to five could be wired in parallel for your next harmonica quintet performance.  The microphone was also suitable for guitar, violin, piano, and many wind instruments.  It was manufactured by the Amperite Company, then of 561 Broadway, New York.



Radio Repairman, 1941

1941AprNrnEighty years ago, the radio repairman was a heroic figure, as shown by this illustration on the cover of the April-May 1941 issue of National Radio News.  While the lady of the house and faithful canine companion look on, he is getting this set back into operating condition.

Perhaps he had to replace a tube, or perhaps he was resetting the set’s pushbuttons.  This was necessary since the FCC had just changed the frequencies of most U.S. radio stations on March 29, 1941.  An article in the magazine included a timely feature going into detail on the circuits involved.



1921 25 Cent Crystal Set

1921AprRadioNews1A hundred years ago this month, the April 1921 issue of Radio News showed how to build this simple receiver, said to have a cost of only 25 cents. Tuning was accomplished with a variable capacitor consisting of aluminum plates separated by waxed paper. By compressing the plates, the capacitance was changed.

The magazine lamented that there were probably thousands of lads who looked wistfully at the catalogs, only to be discouraged by the high prices. The thought was that if they got a chance to listen in with this inexpensive set, they would be sold on the idea of radio and would soon figure out a way to put together a more impressive station.

Accroding to the magazine, almost every town had a good amateur station holding court on 200 meters, and receiving them even with this simple crystal set would be a simple matter.

I have no doubt that the parts shown here could be had for a quarter. The problem, however, is that the prospective radio ham would still need a headphone with which to connect the set. Looking through the magazine, the least expensive was $4.50, or about $66 in today’s money, according to this inflation calculator.

Those headphones, of course, would still be good when the listener was bit by the radio bug and upgraded to a better set. But the cost of entry to the hobby was $4.75, and not the 25 cents promised by the magazine.



1941 Radiola Ad

1941AprilRSDEighty years ago this month, the April 1941 issue of Radio Service Dealer carried this ad from RCA reminding servicemen that Radio radios could sell themselves. It suggested, for example, that when bringing a set into the shop, they could leave behind a model such as the Radiola 515, a six-tube set retailing for $24.95. While it was there, customers would discover the convenience of a second set that they could easily carry from room to room. And, of course, since the set pulled in the shortwaves, the customers would be able to listen to the latest war news direct from Europe.

Also shown was the Model 510 in striking molded plastic, and the model P-5 three-way portable. The multiband set is being shown off by Eugenia Lincoln “Jinx” Falkenburg, America’s number 1 model, who went on to have a radio show with her husband Tex, undoubtedly heard over many Radiolas, after the war.

The ad mentions that the serviceman might be in the customer’s home to set the pushbuttons on the radio. This is because on March 29, 1941, most North American radio stations changed frequency. Sets with pushbutton tuning would need the buttons reset to the new frequencies.



GE Models L-500 and LB-502, 1941

1941Apr21LifeEighty years ago today, the April 21, 1941, issue of Life magazine carried this ad from General Electric reminding readers such as this businessman and his efficient secretary that his desk would be an excellent spot for a radio, for keeping up with news and stock reports affecting his business.

Their suggestion was the model L-500, which sold for only $9.95 (according to this inflation calculator, $162.17 in 2021 dollars).  The  “All American Five” set had the then-standard tube lineup of  12SA7, 12B7, 12SQ7, 50L6GT, and 35Z5GT.  According to the ad, the set had excellent tone. We previously featured the L-500 at this link.

The ad also featured the portable model LB-502, a five tube ( 1R5 1T4 1S5 3S4 35Z3) camera-style portable that would run from either batteries (1.5 and 67.5 volts) or household current.  It carried a list price of $21.95, or almost $400 in today’s money.



1951 Two Tube Receiver

1951AprPM21951AprPM3The September 1951 issue of Popular Mechanics showed how to put together this simple two-tube receiver. It was earmarked especially for the new ham, since it covered the 80 meter ham band. But it would also pull in a wider range of frequencies, including police calls and the 49 meter international broadcast band.

The timing of the article wasn’t a coincidence, since the circuit was specifically targeted at those interested in the Novice class amateur radio license. That new license, which required only a 5 word per minute code test, had just been announced by the FCC, which started issuing them on July 1, 1951. Armed with this receiver, and a key and buzzer, the prospective Novice would be able to pass the test with ease. The magazine promised that the October issue would include an accompanying transmitter.

Construction was simple, as it used two pieces of hardwood mounted on wooden cleats. There was a gap between the two boards, allowing for easy mounting of the sockets for the two tubes and one plug-in coil. Power came from a 45 volt battery, but to prevent having to replace A batteries, a 6.3 volt transformer was used to light the filaments. No power switch was provided, and the magazine noted that a switch could be mounted somewhere on the operating table in line with the transformer.

The magazine recommended a 10-15 foot indoor antenna and ground for the two-tube regenerative set. One variable capacitor was used to control regeneration, with another one serving as the main tuning dial. The procedure for using the set was to advance the regeneration until the set came to life, and then tune the main tuning dial until 80 meter stations were heard. At that point, the larger bandspread dial would be used for tuning.

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