Category Archives: Phonograph History

Don Leary’s Record Store, Minneapolis, 1947

1947AprRadioRetShown here from 75 years ago are some views of Don Leary’s record store in Minneapolis. These images appeared originally in an issue of the store’s 12-page Don Leary Record News, which went out to over 25,000 people every month.  The image was reprinted in the April 1947 issue of Radio Retailing., and that magazine highlighted the store’s ongoing advertising campaign, and the monthly newspaper was a key part of that advertising. The emphasis was on records bulletins and lists, but also highlighted the other aspects of the store’s business, namely, radio, appliances, and service.

The store had over a quarter million records in stock, and its business philosophy was that the logical place to buy a radio or phonograph was where you bought your records. It was good business, since the satisfied customer would keep coming back for records.

In addition to its own newspaper, Leary reported that the store was the largest user of newspaper advertising space of any record store in the region. He also made a point of having friendly relations with reporters, who came to quote him as the expert in all things involving records. For example, he had recently been quoted in the Minneapolis Star-Journal regarding juke boxes, which he viewed as a good thing for the welfare of city youngsters. (Incidentally, it was an industry in which he was also involved.)

More biographical information about Don Leary can be found at this link.  The store was opened in 1941 at 56 East Hennepin Avenue, on Nicollet Island. That address doesn’t really exist any more, but would be at the spot indicated on the Google Maps image below:

NicolletIsland

Nicollet Island, 2022 (Google maps) and 1940. 

The aerial view at the right was taken in 1940, and shows a business district along East Hennepin, the street connected to the mainland by the two bridges. Over the years, East Hennepin was paired up with First Avenue Northeast as complementary one-way streets. On the island, they form a short four-land divided road, and there are no lots directly adjoining it. To the North, there is now a view of De La Salle High School, and to the South, there is now a view of the Nicollet Island Inn, both of which would have been obscured by buildings on East Hennepin in the 1940’s.  Leary’s store would have been one of the buildings on the South side of the street, probably the fourth one from the left.

I write about a lot of people on this site, and I think this is the first time I’ve written about someone who I personally met back in the day. I believe East Hennepin got its current configuration through the island in the early 1970’s, and Don Leary’s was long gone by the time I remember being there. However, from 1971 through 1979, he owned a record store in a small suburban strip mall at 2927 NE Pentagon Drive, St. Anthony, MN.

Despite the small size of that store, he probably still had a quarter of a million records in stock, of all genres. I was looking for something by Jimmie Rodgers, the Singing Brakeman (1897-1933).  I asked Leary, who seemed to run the store as a one-man operation whether he had anything, and he asked me whether I actually meant the unrelated Jimmie F. Rogers, who was born the year the elder Rodgers died. When I let him know that it was the Singing Brakeman I was after, he commented something to the effect that he went way back, but showed me an assortment of his records.

Leary died in 2000 at the age of 92.



Dan Gibson Parabolic Microphone

1072MarPMShown here is Canadian wildlife photographer Dan Gibson using the parabolic microphone he developed. Here, he has the mike mounted on the prow of his canoe, which allows him to silently paddle up in search of wildlife.

This photo is from the March 1972 issue of Popular Mechanics, in which he is described as a photographer who developed the tool primarily to capture photographs of wildlife. The article hinted, however, that the system could be used to capture wildlife sounds on tape. Thanks to this microphone, Gibson became more famous as a recording artist, with his Solitudes series of recordings of nature sounds and music. Here, for example, is his recording of La Mer (Beyond the Sea):

You can find the label’s recordings on Amazon, or find more information at their facebook page. If you’re looking for a parabolic microphone, here are some of the current offerings:



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Quadrasonic Sound, 1971

1972JanElemElectIf I didn’t know better, I would think that this gentleman was putting a coiled up garden hose inside a speaker enclosure. Well, actually, he is putting a garden hose inside a speaker enclosure, as instructed by the January 1972 issue of Elementary Electronics. He wanted to enjoy quadraphonic sound, and thanks to the magazine, he was able to create quadrasonic sound using his existing stereo. The project shown in the magazine took its input from the speaker terminals of the existing stereo. It then created two new channels, adding a 15 millisecond delay to produce a realistic reverberation. This was accomplished by feeding the signal into the hose from an earphone, and picking it up at the other end with a crystal mike. The output (mixed with a non-delayed version) was then amplified and sent to the rear speakers.

According to the magazine, the result was the greatest home entertainment item since the invention of the crystal set, and would place the listener in a galaxy of surrounding sound and a listening wonderland.

If the general idea sounds vaguely familiar, that’s because you’ve seen a similar idea here before. When WBBM and KFAB wanted to synchronize their signals, WBBM had to build a delay into its transmission, and they accomplished this with a section of lead pipe.



Sleep Learning: 1921

1921DecSciInvA hundred years ago this month, the cover of the December 1921 issue of Science and Invention magazine covered a topic that seemed reasonable to me as a youth. Rather than spend waking hours with the burdensome task of learning, it would be easier to just play the material while sleeping, and let the subconscious mind soak it in. This gentleman is doing exactly that, and the whole system is explained in an article by Hugo Gernsback, who also included the technology in his novel Ralph 123C 41+, first published in serial form in 1911.

It never worked for me as a kid, mostly because I never figured out how to keep something playing all night. The record player could keep playing the same record over and over, but I didn’t have any records containing material I needed to learn. I had a tape recorder, but I never figured out how to make an endless loop long enough to contain useful information. Unfortunately, I didn’t have the machine shown here available.

According to Wikipedia, it doesn’t work anyway. But if you want to give it a try, you can find the materials at Amazon.



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Kenner Close ‘N Play Phonograph, 1971

CloseNPlayIt was probably 1971, plus or minus a year or so, that Santa Claus brought me my very own record player. We had at least two phonographs around the house, and at least one of them was used mostly by me. But it wasn’t mine, and thanks to the Kenner Close ‘n Play phonograph, any kid could own one. And the parents’ (and/or Santa Claus) would only be out $6.88, plus the cost of three D cell batteries (According to this inflation calculator, that works out to about $47 in 2021 dollars.

The Close ‘N Play was a rather ingenious design. It played only 45 RPM records and it was more or less automatic. The young audiophile would place the record on the platter and turn on the motor. When the lid was closed, the record would automatically start to play.

The Close ‘N Play was probably one of the last acoustic phonographs to be mass produced. There were no electronics inside. The acoustic tone arm was built into the lid, and when the lid was opened, the arm would drop into position, ready to play from the start of the record. With the Close ‘N Play, there was no way to start in the middle of a record. If you lifted the lid, it automatically went back to the start. When you closed the lid, the needle would land on the record, and play through the acoustic horn, which was about 4 inches in diameter. Of course, there was no volume control, but the horn was relatively efficient and could be heard with no difficulty.

Of course, young owners such as me (and especially their parents and older siblings) quickly discovered that the steel needle, even if “synthetic sapphire tipped,” wasn’t particularly good for the records, especially since the acoustic tone arm had a pretty hefty tracking weight.

Despite being made by a toy company, the Close ‘N Play was decidedly more than a toy. But it didn’t quite qualify as a “real” phonograph. Once the novelty wore off (and the batteries went dead), most of my youthful record listening took place on a normal record player. The only real advantage of the Close ‘N Play was its portability. But I could proudly say that I owned my very own record player, even if perhaps I destroyed a few 45’s in the process of using it. The clipping above is from the 1971 Sears Christmas Catalog.

Here’s a 1967 commercial for the product:



Indiana Schools Get Phonographs: 1921

1921DecTalkMachWorldThis item appeared a hundred years ago this month in the December 1921 issue of Talking Machine World.  The Indiana State Board of Education determined that music was an important part of education. Accordingly, in its report card for schools, one criterion for scoring was that each elementary school in the state should equip every room with a talking machine and “ten good records.”

We don’t know for sure, but we’re guessing that this record would qualify as one of those ten good ones. Recorded in 1921, it’s entitled “Popular songs of yesterday” and is a medley of “Hail! Hail! The gang’s all here!” “The bowery,” “Sidewalks of New York,” ” Summertime,” and “Yip! I adde! I aye.”

You can listen by clicking the link below or by visiting the Library of Congress National Jukebox.



1946 Electromatic Chairside Radio Bar

1946NovRadioRetailing3Seventy-five years ago this month, the November 1946 issue of Radio Retailing
carried this ad for the Electromatic model 609 Bar Radio. As you can see, the company sold the same style of radio-phonograph as either a chairside or tabletop model. It looks like they did a run without the phonograph, but there was a void under the lid where the phonograph was supposed to go. Who needs to listen to records if they have booze, so the logical thing to do with that spot was to turn it into a bar. The company reported that the model was selling faster than rare scotch.

You would want to be careful not to spill into the radio, although I suppose if the contents were high enough proof, they would do little other than give the chassis a good cleaning.

I’ve found references to the Model 608A and 607A, but haven’t found any evidence that any of the Model 609 Radio-Bars ever made it into production.



Lee’s Record & Radio Shop, St. Joseph, Mo, 1946

1946NovRadioRetailing

Shown here, as it appears today and as it appeared 75 years ago, is the corner of 6th and Francis St., St. Joseph, MO.  Today, it’s the office of an insurance company, but 75 years ago, it was Lee’s Record & Radio Shop, profiled in the November 1946 issue of Radio Retailing.

The rent was high, but the street traffic was heavy, so the store took advantage of a big eye-catching display to lure customers into the store. According to Tillie Frankhauser, the manager, the store was spectacularly in the black. The corner was the second busiest in the city, and owner Lee Drowther took advantage of it. The store was self-service, with albums lined up on the shelf in eye-catching displays. There were two types of listening booths, a stand-up type for quick appraisal of a record, and leather trimmed enclosed booths for serious listening. Plans were in place to construct a mezzanine area for demonstration of radios.

1946NovRadioRetailing2



1921 Homemade Phonograph

1921OctPS2

A hundred years ago, the cost of a phonograph was becoming reasonable so that most Americans could afford one. But for the frugal handyman, there was another option, as shown here in the October 1921 issue of Popular Science.

Not only could the home craftsman make his own phonograph and save some money, but the homemade version would be superior to most commercial phonographs. The majority of the machines were hand-crank phonographs, but this one was electric, relying on a motor powered either by batteries or household current.

TypewriterEraserThe platter was made of a piece of brass, with another strip of brass soldered to the edge. This was driven by the motor using a friction drive made of a typewriter eraser
like the one shown here. Surprisingly, you can still buy a manual typewriter, but this style of typewriter eraser is no longer made. Like everything, however, you can find them on eBay.

The magazine explains how to construct the pickup and tone arm, which consists of a brass tube and the lid from a jelly jar. The board at the rear not only supports the tone arm, but serves as a sounding board, presumably providing room-filling audio.

One issue that is not addressed by the article is how to regulate the speed, since the motor will need to be spinning at about the right number of revolutions per minute. The relative size of the eraser and platter will, of course, provide some gearing, and there would be some room for experimentation. And with a DC motor, the voltage could be used to get the speed right. But the motor is going to have to start out at approximately the right speed, so some experimentation would be necessary for which motor to use.

As long as the craftsman got the bugs worked out, the result would be a quality phonograph, albeit not as aesthetically pleasing as the one normally found in the parlor. Students looking for an interesting science fair project can follow the instructions provided by Mr. Wizard in the video below.  All you need is a pencil, a pin, a piece of construction paper, some tape, and, of course, a record that you don’t mind suffering possible damage.



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1941 Radio-Phonograph Table

1941OctPsPhonoStandThe October 1941 issue of Popular Science showed how to put together this radio-phonograph stand. The phonograph was placed in a drawer, not just for aesthetics, but to improve its performance by muffling the needle scratch and motor noise.

The record player typically plugged in to the phono jack on the back of a radio, which was placed on top of the table. The bottom shelf could be used for record storage. The magazine noted that the the table could be built with a dollar’s worth of lumber, a sheet of plywood for the table top and drawer base, and white pine for the rest of the design.