Category Archives: Radio history

Portable Radio 75 Years Ago

AtlasPortable

If you wanted a portable radio 75 years ago, you could have one. It would weigh a mere 14 pounds, and would only set you back a dollar a week. This set was available for $19.95, or one dollar a week. It is shown here in this ad from the Milwaukee Sentinel for July 27, 1939.

I haven’t been able to find any information on the particular portable in the ad, but it looks very similar to the RCA model shown here. The RCA weighed in at 14 pounds, had four tubes, and operated on a 1.4 volt A battery and 90 volt B battery. The B battery was stated to last 250 hours, and sold for $3.50.

 


One-Tube and Two-Tube Radio Kits from 1939

One Tube Flashlight Set

One Tube Flashlight Set

75 years ago, the 1939 Allied Radio catalog carried these two kits. The “One Tube Flashlight Set” sold for $4.45, and included everything (tube, batteries, and coils) with the exception of the headphones, which started in the same catalog for 66 cents. The “Hurricane Receiver” sold for $3.85, but in addition to the headphones, also required a 6J7 and a 6F6 tube, which sold for 77 cents each.

Both sets ran on 6 volts. The one-tube “flashlight” set tuned shortwave, 18 to 200 meters, with four plug-in coils.

Hurricane Receiver

Hurricane Receiver

Both of these sets are regenerative receivers, and originated as construction articles in Popular Mechanics. The “Flashlight” set originated in the April 1938 issue, where it was billed as a “one-tube DX short-wave set” that ran on flashlight batteries, hence the name.

The “hurricane set” was featured in the February 1937 issue, which stated:

The primary idea behind the design is to provide a simple, rugged portable receiver that will work from a 6-volt storage battery, or a few dry cells, when other sources of power fail. When floods, hurricanes or other natural catastrophes occur and all ordinary means of communication go out, it is satisfying, and sometimes vitally important, to be able to learn from outside radio stations just what is going on. As a portable knockabout set, it also has other useful applications in the home, boat or camp.

The article promises that with six volts, the hurricane set with a 25-foot antenna should be sufficient for satisfactory reception of medium or high-power stations within a range of about 500 miles.

Parts List for “Flashlight Set”

If you are interested in building a one-tube radio, the “flashlight set” would be a good starter, and you can use the Popular Mechanics article for all of the construction details. Some of the parts might be difficult to find. But all of them are available online. Some of the links below are rather expensive, so it’s best to find most of the parts locally. But if you’re missing one or two items, you can find them at the links below.

Some of the values shown here are not identical to those shown in the article, but all of them are close enough. The only effect of substituting parts is that the tuning range of the radio will vary, depending on the exact dimensions of the coil, and the value of the tuning capacitor. Therefore, you’ll have to experiment a bit to figure out the exact tuning range of the radio once it’s done.

Where To Get Crystal Set Parts

Some of my earlier articles have shown crystal radios from the early days of radio. For example, I have an article with the history of the “foxhole radio” popularized by soldiers in World War 2.  I also have a link to a 1922 newspaper article with details for building one.   I also have links to this and this radio, both from 1914.

I received an e-mail from someone who wanted to build a crystal set with his grandson, who requested construction details and parts lists. There are many sites with such information, the best of which is The Xtal Set Society.  You’ll also find some simple plans at this link. The first radio I made as a youth was basically identical to the fourth one shown on the bottom of the page. It requires only a board, a toilet paper tube, some enameled wire, a piece of metal to use as the slider, a diode, and the earphone.

It’s an interesting project, and as long as you have at least one fairly strong AM radio station nearby, almost any design you put together will work. If you have an antenna, ground, detector, and headphones, you’ll hear one or more stations as soon as you connect them together, in almost any configuration. Therefore, I can’t add much as far as construction details. Any of the sets you find on the internet should work just fine. It’s best to start with a simple set of plans and work your way up.

If you can’t find all of the parts locally, here are some tips on finding them.

The Detector

The heart of the crystal set is the detector. This is what changes the radio signals into an audio signal that you can hear. You have two options. First, you can simply buy a semiconductor diode. The most commonly used diode for a crystal set is the “1N34” or “1N34A”. You can buy it on Amazon at any of the following links. As you can see, they are quite inexpensive, and you can afford to stock up in order to make multiple sets.

The other “old style” detector is the “cat’s whisker” and crystal, from which the radio gets its name. The crystal is a piece of the mineral galena, which you can find at many hobby shops. At most science museums, you’ll find for sale samples of various minerals, and you’ll be able to find your piece of galena for a low price. (If you can’t find it locally, you can buy a chunk on Amazon.)  To use it as the detector, you attach one wire to it firmly, perhaps with an alligator clip or by firmly clamping it down. The other connection is a thin wire which makes contact only at one point. This other wire is called the “cat’s whisker”. You’ll need to rig up some kind of spring to keep the wire in contact with the crystal, and you’ll also need some method to move the wire around to look for a “sweet spot” on the crystal.

And for the mad scientist who wants a very unusual type of detector, you can make a detector using an open flame.

The headphones or earphone

The headphones or earphone will be the most difficult part to find. Unfortunately, most modern headphones will not work. The crystal set requires a “high impedance” headphone. Most modern headphones are “low impedance” and simply won’t work, unless perhaps the station you are listening to is extremely strong. Typically, a “high impedance” earphone or headphone will have an impedance of about 2000 ohms. Modern “low impedance” headphones, such as for a stereo or computer, are generally about 8 ohms. I’ve found that headphones with an impedance of 600 ohms generally work OK. So if you can find some of that approximate value, they will work. Old “language laboratory” headphones generally are about this value.

The most commonly used is an earphone like this one, which is available on Amazon:

As you can see, this one comes with a 3.5 mm plug. Since you’ll need to wire the earphone directly into your circuit, you have two choices. First, you can simply cut off the wire, or perhaps make the attachment with
alligator clips
.

If you want to keep the plug intact, you can purchase the matching jack:

This jack requires soldering, but it should work adequately by simply twisting the wires firmly around the lugs. If you want to invest in a soldering iron, they’re much cheaper than you probably expected. This one, for example, comes complete with the solder, as well as some other tools that might come in handy:

Another option is to use the low-impedance headphones but with a suitable transformer, such as this one:

One side will be marked “600 ohm” and the other side will be marked “8 ohm” (or similar terminology). Ignore the center pin on either side. Hook the other two terminals of the “600 ohm” side to the radio’s output, and hook the two outer terminals of the “8 ohm” side to the headphones. This will allow the headphones (which you can get at the dollar store) to work.

Wire

The best wire for winding the coil is enameled wire of about 24 gauge.  This is also sometimes called “magnet wire”:

The enamel coating is insulation, so that the turns don’t short out. However, if you’re building a set with a slider, you’ll want to sand off the enamel at the top so that the slider can make contact with the wire.

For making connections between components, and for making the antenna, you’ll want flexible stranded wire such as this:

Capacitor

Some of the circuits will call for a capacitor, and some will show you how to make your own. (In older literature, the term “condenser” is used.)  The simplest circuits don’t have one, and the exact value is not critical, and for most circuits a capacitor of 0.1 uF will be about right:

Another good source for ordering parts such as resistors and capacitors is Jameco Electronics.  You can order online at.

Connectors and Hardware

Many of the early circuits will show “Fahnestock clips” for making connections. These certainly aren’t required, since you can simply twist the wires together. But if you want to give your crystal set a vintage look, they’re a nice touch. They’re also available at Amazon:

Most of the circuits you see are put together with wood screws, which you surely have lying around the house. If you don’t, you can go ahead and order an assortment such as this one:

If you need a piece of pine board to mount the whole thing, you can get that on Amazon as well:

Kits

If you want to bypass the whole procurement process and make a radio that works, but without the “retro” look, any of the following kits will fill the bill. They include everything you need along with directions:




More Radio Scouting, 1922

1922RadioScouting

 

This photo, form the New York Tribune, July 9, 1922, shows William Hodson, a Boy Scout from Troop 108, Brooklyn, along with two other scouts, operating a receiver. But it’s not just any receiver. It’s a “three-coil duo lateral regenerative set with loud speaker attachment.”

 

The Shortwave Broadcast Bands During WW2

AdmiralConsole

I’ve always been curious about what the short wave bands sounded like in the United States during World War II. Short wave was available on many, but by no means all, pre-war consumer radios. The radio shown here, Admiral model 71-M6 covers the standard broadcast band, has a phonograph, and also covers the 31 meter shortwave band, which it calls the “European” band. The ad is from the February, 1941, issue of Radio Today.

I own an Admiral console very similar in appearance to this one, but mine is a bit more upscale. Mine also includes the 25 meter band and has push button tuning for the standard broadcast band. (Most of the buttons on mine are labeled with Chicago stations, so it must have originated in the Chicago area.)  I forget the exact tube count of mine, but I believe it’s more than six. It has push-pull audio, meaning that it has two tubes in the final audio stage. Mine also has an RF preamplifier stage, which this one is probably lacking.

But the styling of mine is so close to the one shown here that it’s very likely that mine also predates the war, and the sounds of wartime shortwave broadcasts probably came out of its old speaker. Its actually a very good receiver on both the AM and shortwave bands. And since it’s set up for only the two shortwave broadcast bands, it’s quite easy to tune to a particular frequency, a feature lacking in most commercial shortwave receivers.

The ability to make sound recordings was virtually unknown in consumer equipment, so the chance of finding a recording of someone’s SWL’ing from that era is very unlikely. But the site americanradiohistory.com has a treasure trove of old radio publications, and I found one that sheds some light on what the casual listener with a radio such as my Admiral would have been able to hear. The predecessor of TV Guide magazine was  Radio Guide, and during the war years, it seems to have gone by the name Movie-Radio Guide. It did include a couple of pages of short wave listings in each issue, and provides a good look at short wave during the war years. The issue for December 20-26, 1941 appears to have been mostly ready for press prior to Pearl Harbor, but it does include a notice: “War conditions permitting, complete information as to how wartime conditions will affect your radio listening will be revealed by Curtis Mitchell, U.S. Army” in the next issue.

That issue, dated December 27, 1941, announces that the Guide will have “new, enlarged short-wave information and program section” where “short-wave dialers will find a large, carefully compiled list of the world’s short-wave stations, carrying war news in English.”

The promised listing of war news shows the scheduled times and of English-language war news broadcasts:

WarNews122741

Berlin, Rome, and Tokyo are all represented on the list.  Later issues also show a listing for the Vichy, France, station.  These stations also have programs listed in the accompanying program schedule. For example, the “Lord Haw Haw” show is shown as being broadcast at 5:30 PM U.S. Pacific Time on Saturday from DXZ (9.57 MC) and DXJ (7.24 MC) and Y (the Paris station on 9.52 MC). At 6:30 PM, Berlin carried “Greetings from British prisoners in Germany to their families in the U.S. and Canada.” The text refers to this program as a “sadistic touch.”

Most usefully, this magazine also has what appears to be a rather comprehensive list of “Transmissions Beamed on North America”. The December 27 issue covers from 17.87 MC (GSV, London) down to 5.95 MC (XGDY, Chungking).  One article notes that Radio Saigon, while Axis controlled, signed off with the Marseilles.

The January 3, 1942, issue discusses the possibility of blackouts of U.S. standard broadcast stations during air raids. It also reminds listeners that the Post Office Department suspended mail service to Germany, Italy, and other lands under their control, and that listeners shouldn’t “waste postage on reports to Axis stations.” It also notes that “with most of the interference now absent [presumably since amateurs sharing the 40 meter ham band were now silent], reception ranging from fair to excellent is being afforded by the stations broadcasting on [the 41 meter] band. DXJ (7.24), Berlin, for example, is being heard daily from 4:50 p.m. to 1:00 a.m. EST with louder signals than any of the seven other Berlin outlets for the North American service.”

This issue also presents the beginning of a list, in serial form, of all short-wave stations by frequency. This issue caries listings for the 19 meter band (15 MC). The issues for January 10, 1942 and January 17, 1942 list all of the stations transmitting on the 25 meter band (11 MC). The January 24 and January 31, 1942 issues contain the listings for the 31 meter band (9 MC). The listings for the 41 meter band (7 MC) are in the February 7, 1942, issue.

This issue also reports that Tokyo is now carrying messages from American prisoners of war, and notes that these messages are probably recorded under duress. The 49-meter band (6 MC) and a few stations below are covered in the February 14, February 21, and February 28 issues.

The February 28 issue also notes that Berlin has revamped its English service, to consist of a news broadcast followed by “a fifteen-minute talk or commentary in English by one of Goebbels’ gabblers.” This issue also notes that Moscow has expanded its shortwave service, and that “reports from all parts of the country indicate that these new transmissions are being received with very good signal strength.” These programs apparently originated from Moscow studios, but were put on the air from a transmitter at Komsomolsk, Amur.

In addition to these comprehensive listings, the magazine also contained in each issue a list of “important stations” shown here, this one from the February 28, 1942, issue:

ImportantStations022842

In short, if there was any doubt, it appears that the shortwave bands were lively during the war, and that American listeners with a shortwave receiver had many opportunities to hear first hand the propaganda being broadcast by the axis powers.


Panama Canal Radio Station

CanalFinishingTouchesWhile the final seeds of war were being sown in Europe, in this hemisphere, the Panama Canal was quickly coming to completion, and opened on August 15, 1914. This feature in the Burlington (Vt.) Weekly Free Press for July 30, 1914, shows some of those finishing touches. These included the powerful radio station, which was still under construction:

Work on the three 600-foot steel towers of the proposed Darien radio station at Caimito has begun and will be completed before opening day. Each tower is built in the form of an equilateral triangle, 150 feet on the side. At each corner of the triangle will be a footing of concrete. The depth of the excavation for the footing has varied from twelve to twenty-eight feet below the surface of the ground, the greater depth being necessitated by the irregular surface elevations, The concrete base will be rectangular in plan, sixteen by twenty, and ten feet deep. The building to serve as quarters for operators has been practically completed and will be provided with furniture by the Navy. New radio stations for relatively local use as compared with long distance stations are to be erected at Colon and Balboa and will supplant the ones now in service at these points. The towers resemble the ones at Arlington, Virginia, and each station will have two three hundred feet towers six hundred feet apart. The present wooden masts at Colon, about two hundred feet high, and the antennae of the present Balboa station are suspended at an elevation of about one hundred and ten feet above the ground between the steel tower and the power plant.

When the station, whose callsign was NBA, became operational, it was able to make regular contact with the powerful navy station at Arlington, Virginia. The transmitter is shown here:

This is a 100 kilowatt Poulsen arc transmitter, manufactured by the Federal Telegraph Company. It is described as being very sturdily designed, with an “unusually rugged and elaborate water-cooling system.” The arc transmitter produced a continuous wave signal, and could even be modulated for voice transmissions (although this one was used strictly for radio telegraph work).

 



Another Aeronautical/Radio Wedding

MNAeroWedding

 

In an earlier post, I reported on the April 1922 wedding of Sarah Cockefair and Albert Schlafke, who were married in the skies above New York before thousands of radio witnesses.  Perhaps inspired by the New York couple, it seems that a Minnesota couple decided to tie the know in a similar fashion just a few months later.  This wedding took place in June, 1922, during an airshow at the Minnesota State Fairgrounds.  It is reported in the article shown above, a wire story appearing in various papers including the Albuquerque Evening Herald on July 2, 1922.

According to the article, Zelma Olson of Minneapolis desired to be married in an airplane, and desired that the ceremony be officiated by one Rev. E.A. Jordan, who weighed 220 pounds.  Unfortunately, the aircraft could accommodate only an additional 75 pounds.

It’s not until the third paragraph of the story that we learn that the groom was one Edwin Moline, who was presumably going to be present in the aircraft as well.  His weight is not stated.

The site of the wedding, about five years earlier. (Photo from Google Books)

The site of the wedding, about five years earlier. (Photo from Google Books)

The problem was solved, at Moline’s suggestion, by placing a radiotelephone set in the plane (presumably one weighing less than 75 pounds), and having Rev. Jordan officiate by wireless.

This he did, and Rev. Jordan conducted the ceremony from a pagoda overlooking the State Fair Grandstand.

There doesn’t seem to be a great deal of historical record surrounding this novel ceremony.  I was able to find this post by one Jennifer Moline, presumably a relative of the 1922 newlyweds, indicating that the wedding actually took place on June 4, 1922, a fact not reported in the wire story.

Also, the original 1922 press photo is available for purchase on eBay, and a better copy of the photo can be found at that listing.  The back of the image notes that the photo originated from the St. Paul Daily News, and that the photographer was Earl L. Vogt.  There’s a date stamp on the back of June 8, 1922, which seems consistent with a wedding date of Sunday, June 4, 1922.

If anyone has any additional details about this wedding, I would enjoy hearing from you.


More 1914 Mobile Wireless

1914mobilewirelessThis mobile wireless setup appears in the July 1914 issue of Popular Mechanics.   Used by the U.S. Army, the set was reported to have a range of 30-40 miles when used with an inverted-L antenna. It was reported to send a pure musical note of 500-750 sparks per second. It could be operated from either a storage battery or a hand-operated dynamo.


ARRL 100th Anniversary

ARRLnewsitemA hundred years ago, the New York Sun for June 14, 1914 reported on the beginnings of the ARRL.

The article announces that “H.P. Maxim, who invented a silencer, hopes he has invented a communicator.” It outlines Maxim’s plan, which is generally what the ARRL accomplished soon thereafter. “The scheme is to get all the amateur wireless operators of the country, and they exist by the hundreds of thousands, interested in transmitting messages from coast to coast.” Maxim is quoted that the proposal is to “select those stations which are able to transmit from fifty to 100 miles and which are kept in perfect running order. And then all stations in the league which we are forming, to be known as the American Radio Relay League, will at a predetermined hour ‘listen in.’ That hour will probably be 7:30 each evening.”

Maxim points out that the intention is “to make this thing strictly amateur. The messages are to be relayed by courtesy. There will be no fees for receiving, delivering or relaying the messages. No money transaction of any kind is to be considered in connection with the league.”

He also notes that the Government is likely to be cooperative, since the relay proposal ensures that it “will make it unnecessary for an amateur to have a high powered set,” thus reducing interference.

The War slowed things down a bit, but the first “Transcon” test was successfully carried out in January, 1921, with a successful transcontinental message and reply in “two hours flat.”


Soldatensender Calais and D-Day

D-Day Landing (U.S. Army photo)

D-Day Landing (U.S. Army photo)

The complete broadcast day for D-Day, June 6, 1944, was recorded by both CBS and NBC. One detail that I always found interesting was the following wire report, which was also carried in print by the AP in the D-Day afternoon papers:

Music for Invasion Forces

About the same time the German controlled Calais radio station came on the air with the following announcement in English:

“This is D day. We shall now bring music for the invasion forces.”

The whole Nazi controlled French radio network went off the air at 7:25 a.m. in the middle of a physical training broadcast.

Milwaukee Journal, June 6, 1944.

I’ve never seen any explanation of this curious statement, although the impression was that the French personnel of the station had taken advantage of the chaos and taken over the station.

The truth, however, appears to be even more interesting. It seems likely that the “German controlled Calais radio station” was actually Soldatensender Calais, a German-language station operated not by the Nazis, but by the Political Warfare Executive of the British Foreign Office. Soldatensender Calais (Soldier’s Station Calais) was broadcasting not from Calais, but from the village of Milton Bryan, Bedfordshire, England, with a massive 500 kilowatt mediumwave transmitter. It broadcast on 612 kHz, 714 kHz, and 833 kHz, frequencies shared by Radio Deutschland.

Joseph Goebbels himself lamented in his diary in 1943:

In the evening the so-called “Calais Soldiers Broadcast” which evidently originates in England and uses the same wavelength as Radio Station Deutschland when the latter is cut out during air raids, gave us something to worry about. The station does a very clever job of propaganda and from what is put on the air one can gather that the English know exactly what they have destroyed and what not.

The transmitter had originally been ordered by WJZ in Newark, New Jersey (now WABC, with its city of license New York), in hopes that the FCC would authorize the high power to match the superpower signal of WLW in Cincinnati which had in use on and off from 1934 to 1939. But when the FCC insisted on maintaining the 50 kW limit for standard broadcast stations, the station was eager to sell the transmitter to the British government for £165,000. At the time, the station was the world’s most powerful mediumwave station. It had the code name of Aspidistra, and remained in use by the BBC until 1982.

It was able to successfully spoof Nazi broadcasts to the point that it was regarded as a reputable source of information. When real German stations went off the air during air raids, the powerful British station would rebroadcast the signals of other German network stations still on the air, thus giving the impression that it was part of the German network. The superpower transmitter could blanket the continent, thus allowing it to join the Nazi broadcast network seemlessly. But into those programs, it could subtly insert misinformation. For example, it could be used to issue false evacuation orders to send civilians to clog the roads during German military movements. Captured German POW’s, even those who were aware of the station’s source, commended the British on the station’s plausible deniability. If a German officer walked in while the men were tuned to the station, they could plausibly claim that they thought it to be an ordinary German station.

The station’s creator, Sefton Delmer, described its programming as “cover, cover, dirt, cover, dirt.” Most of its programming mimicked the official German stations. But when needed, disinformation could be inserted. The Germans eventually figured out what was going on, and they preceded official instructions with the following announcement:

The enemy is broadcasting counterfeit instructions on our frequencies. Do not be misled by them. Here is an official announcement of the Reich authority.

Of course, the English station then began its messages with the same announcement!

The only reference I could find to Soldatensender Calais with respect to the invasion was that when Calais later fell to the Canadians, the station was renamed Soldatensender West. I haven’t been able to find any explanation as to why the station made its English broadcasts on D-Day. But it seems to me that the intention was probably to demonstrate that Calais had already fallen in the early morning hours of June 6, and that the French staff of the fictitious station had taken matters into their own hands to start broadcasting music for the benefit of the invading Allied armies.

And since the American press apparently fell for it and reported the activities of the “German controlled Calais radio,” this tactic seems to have worked.

References

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