Category Archives: Radio

WBBM and KFAB Synchronize Their Signals With a Piece of Lead Pipe

In 1928, WBBM in Chicago and KFAB, then in Lincoln, Nebraska, both operated on 770 kHz with 5000 watts.  And they both carried the CBS network at night.  They generally coexisted well, but there was a problem for listeners, mostly in Iowa, who were equidistant from the two stations.  Both stations would come in equally strong, but interfere with one another.  These listeners complained to CBS, and the two stations worked at solving the problem.

Eliminating any heterodyne (the squeal caused by two signals on very close frequencies) was an easy enough problem to solve.  The two stations simply needed to make sure that the transmitters were exactly on the same frequency.  But there was another problem.  The signals from the network came by telephone lines, and those signals travel at approximately the speed of light.   Since Lincoln was 500 miles further away from New York than Chicago was, the program reached Lincoln about 23 milliseconds later than it reached Chicago.  Therefore, the two stations weren’t transmitting the exact same program.  KFAB was sending out the program with an additional 23 millisecond delay.  (When a different phone line was used later, the delay grew to 35 milliseconds.)

This caused a problem for listeners in Iowa.  The signals from Lincoln and Chicago traversed the airwaves to Iowa in the same amount of time.  But since the Lincoln signals started with a built-in delay, the effect in Iowa was that the there was an echo effect when listening to CBS on 770.

The stations solved the problem in a number of ways.  First of all, WBBM paid KFAB to sign off at 10:00 PM, after the end of network programs.   After 10:00, WBBM had a clear channel as far west as its signal would go.  The two stations also coordinated their station ID’s so that one announcer was not talking over the other.  But the biggest problem to solve was the delay.  To solve the problem, WBBM had to delay the network feed.  With digital processing today, this would be a trivial problem to solve.  But in 1928, it was a major engineering challenge.

The WBBM engineers eventually came up with an electronic solution involving 19 stages of filtering, equalization, and amplification.  A series of filters, consisting of a capacitor and inductor, were carefully chosen.  Each filter attenuated one frequency range, but also introduced a delay.  Since they didn’t want the attenuation, the equalization was needed to restore the audio to its final form, and the amplification was needed to make up for the loss in the filters and equalizers.

But until that system was designed, WBBM engineers came up with a Rube Goldberg solution that worked amazingly well.  The speed of light is about 300 million meters per second.  But the speed of sound is about 1080 feet per second.  To generate the necessary 23 millisecond delay, sound would need to travel about 23 feet.  So the WBBM engineers procured a 23-foot section of lead sewer pipe, mounted a speaker at one end and a microphone at the other end.  The sound was simply fed through the pipe before going on the air.

The system wasn’t perfect, since echos from the microphone reflected back, adding a new echo effect, what they were trying to get rid of in the first place.  But this echo was solved by wadding fabric into the pipe.  Close to the microphone, this consisted of gauze.  Closer to the speaker, thicker material was needed.  Fabric from a pair of overalls belonging to one of the staff turned out to fit the bill, and they were stuffed into the pipe.

The result was a very high quality audio signal, with a dynamic range of 100-5000 cycles.  Eventually, broadcast standards called for slightly better audio, and the electronic system using filters was used.  But for a time, WBBM’s programming passed through 23 feet of sewer pipe before hitting the airwaves.

References

 

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OSCAR III: 50th Anniversary

OSCAR3Satellite

Fifty years ago, from March 9-27, 1965, the first two-way amateur satellite, OSCAR III, was in operation. The 16.3 kg spacecraft was launched on March 9 from Vandenberg Air Force Base, piggybacking with seven Air Force satellites. Over 1000 amateurs in 22 countries made contact through the satellite’s linear transponder, with both the uplink and downlink taking place on the 2 meter amateur band. Signals were received by the satellite on 144.1 MHz, and were retransmitted on 145.9 MHz. The downlink had a power of one watt, which was divided over the whatever stations were in the passband of the uplink frequency.

A beacon transmitter sending voltage and temperature readings was audible for several months. The orbit was nearly circular, with an altitude of 570 statute miles and an orbital period of 103.5 minutes.

OSCAR3The photo here shows Ed Hilton, W6VKP, and Don Norgaard, W6VMH, working on the satellite’s electronic package in Hilton’s garage. This photo is taken from the March, 1965, issue of Popular Electronics.  A summary of the mission and complete list of contacts made and calls heard during the spacecraft’s 250 orbits is also available online.



One Dollar, One Tube Radio, 1935

Mar35RadioCraft

Eighty years ago this month, March 1935, Radio Craft magazine featured this one-tube broadcast radio that could be built for a dollar. The only manufactured radio part was the type 30 tube, which ate up 75 cents of the budget. Everything else was scrounged from household goods. The author reported receiving a station in Dallas, 1500 miles away from his location, the first night.

The two fixed condensers were made of tinfoil and waxed paper. The filament condenser consisted of 36 feet of 36 gauge wire wound on a spool. The grid leak condenser, which would probably be about 1 megohm, consisted of a pencil mark on a piece of wood. The tuning condenser consisted of two metal plates separated by celophane. The tuning coil was home wound on a cardboard form, and the tube socket was four paper clips.

The diagram of the completed receiver is shown below.

DollarRadioDiagram



1957 CONELRAD The Easy Way

1957ConelradStarting in 1957, U.S. Amateur Radio operators were required to participate in CONELRAD. (If you’re unfamiliar with CONELRAD, I explain it in other posts, including this one.) Under the regulations that took effect that year, hams were required to monitor an AM broadcast station whenever transmitting. If that station went off the air, the ham was required to check to see if the absence from the air was due to a CONELRAD alert. If so, he was required to leave the air.

The regulations could be satisfied by keeping an AM radio on low volume in the background, but the preferred method was to have an automated alarm that would sound if an AM station left the air. One popular receiver for that purpose was the Heathkit CA-1 CONELRAD alarm, which was an external monitor that would be hooked to a receiver. Other dedicated receivers wwere available, such as the Kaar Engineering Conalert II, although a unit such as that would be out of the price range of most hams, and probably used mostly by broadcast stations.

The April, 1957, issue of Radio News carries an article entitled “Conelrad the Easy Way,” with a simple method of converting a five-tube broadcast receiver into a CONELRAD monitor. As shown in the schematic above, it required only three parts, and allowed the radio to be used for normal listening. The additions to the circuit are the three parts inside the dotted lines.

This circuit ties in to the AVC voltage of the first audio amplifier. As long as there is an AVC voltage present, the added resistor biases the first tube to silence the radio. But if the AVC voltage disappears (because there is no signal present), then the output of the final audio amplifier gets fed back to the first audio amplifier, causing the two stages to break into oscillation to emit a loud squeal.

It’s a pretty ingenious and easy modification, and the author reports that many hams were using it and that he thought “it is the answer to the Conelrad needs of most hams.” He even notes that the circuit “is so simple that many broadcast listeners may want to install it on their receivers, just in case.”

The author, by the way, is John T. Frye, W9EGV. If that name rings a bell, it is because Frye was a prolific writer in many electronics and radio magazines. He was most famous as the author of the “Carl and Jerry” stories that appeared in Popular Electronics from 1954-1964.



Integrated Circuits Fifty Years Ago

EI1965IC

Fifty years ago this month, the cover of the March 1965 issue of Electronics Illustrated showed this integrated circuit, the Motorola MC556G. The case of this IC measured 5/16 inch in diameter, and the chip itself measured about 1/10 inch square. It contained six transistors and eight resistors. The accompanying article noted that it was now on the market at a price that hobbyists could afford to use for experimental projects,  $3.35.

To put the new device in perspective, the article compared it to the still ubiquitous 5-tube radio, which consisted of about six basic circuits using about 20-30 components. The article noted that the day would soon arrive when one or two IC’s would constitute a “complete radio that is equivalent in performance to that five-tube AC/DC job.”  That prediction came true only seven years later, in 1972 with the ZN414 AM radio IC from GEC-Plessey. The modern functional equivalent of that IC is the MK484/TA7642 am-Radio IC, which is a complete radio in a chip, requiring as its only external components a battery, coil, tuning capacitor, and earphone.

While the eight transistors in a 1/10 inch package was revolutionary at the time, transistors in current IC’s are in the range of tens of nanometers in size, allowing several billion transistors per chip. But building something with an IC was revolutionary fifty years ago, and Electronics Illustrated featured two projects making use of the MC356G. The first was a square-wave signal generator, and the second was the AM radio shown below. In this diagram, the portion shown in black is internal to the IC, and the components shown in red are external. As you can see, the circuit makes use of four of the chip’s eight transistors, and four of its resistors.

1965ICradioschematic

The IC was designed for use as a logic gate, but transistors are transistors, and they could be used for their amplification function. For the radio in particular, getting the circuit to work took several experimental designs, but the author finally “hit upon one that has a decent amount of sensitivity, selectivity, and audio output.” The author noted that most of the headaches in designing the radio were caused by the close proximity of the components on the chip. Having only 1/10 of an inch to work1965ICradio with presented leakage paths between the circuits that would be out of the ordinary for a radio designer.  The finished project is shown here.

In the design, two of the transistors are used as RF amplifiers, with the signal being fed back through a regeneration control. The second of those transistors also amplifies the audio, and there are two more audio amplifier stages. The actual detector consists of two external diodes.

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Morse Code Secret Message in Colombian Song

FARC Guerillas. Wikipedia photo.

FARC Guerillas. Wikipedia photo.

Morse Code was used in 2010 to get a secret message to hostages being held in the Colombian jungle by FARC guerrillas.  Some of the hostages had been held for years, and the Colombian army wanted to deliver a message that they hadn’t been forgotten, that some hostages had already been rescued, and that they were next.

Since it was known that some of the prisoners knew Morse Code, and the captors probably didn’t, the Army decided to insert a Morse message into a popular song and get it broadcast on the air.  The result was the song heard on this YouTube video, Mejores Dias (Better Days), recorded by Colombian studio musicians Natalia Gutierrez Y Angelo.

I knew there was Morse Code coming, and I heard it the first time.  If I hadn’t been expecting it, I suspect it might have taken a couple of plays for me to notice.  And once I knew it was there, it took me several times to get the entire message, since it is well hidden in the music.  But if I had a lot of time on my hands, I would eventually decode the entire message.  It’s in the chorus, starting at about 1:30, 2:30, and 3:40 in the video, following the words, “escuchas esta mensaje, hermano” (listen to this message, brother).

To make sure that the song was heard, the Colombian army arranged to have it inserted into the play lists of the government-owned stations serving the jungle areas where the hostages were being held.  The guerrillas listened to the radio, and the hostages later reported that they even liked the song.  The message was heard, as rescued hostages later reported.

The message reads:   “19 LIBERADOS. SIGUEN USTEDES. ANIMO.”  (19 PEOPLE RESCUED. YOU’RE NEXT. DON’T LOSE HOPE.)  Even if you have only a passing knowledge of Morse Code, you will hear it, and you’ll eventually be able to decode it.

More information is available at TheVerge.com, at the article linked below.

References

 



The Luxembourg Effect

LuxembourgEffect

An interesting ionospheric effect was first noticed about 80 years ago, and reported 80 years ago this month in Radio Craft magazine, February 1935.  Radio Luxembourg operated on 252 kHz, with a powerful 150 kw signal designed to provide coverage in England.

The phenomenon was discovered in 1933 by B.D.H. Tellegen, in Eindhoven, Netherlands, who was listening to a station in Beromunster, Switzerland, on 652 kHz. In the background of the Swiss signal, he could hear the audio of Radio Luxembourg. This same phenomenon was reported by other listeners. Due to the distance between the three points involved, it could not be explained by the receiver being overloaded. The Luxembourg signal could be heard only when the Swiss station was transmitting.

Tellegen noted that the three points were in a straight line: When the signal from the Swiss station made its way to the Netherlands, it passed directly over Luxembourg. He correctly theorized that the carrier of the Swiss station’s signal was being modulated in the ionosphere as it passed through the strong signal of Radio Luxembourg in the ionosphere.

The ionosphere had only recently been discovered, and was not totally understood. It was previously supposed that the ionosphere was a linear medium, through which radio waves passively reflected. But the existence of the Luxembourg Effect showed that the ionosphere could be artificially “heated,” to produce non-linear effects.

Interestingly, the carrier frequency of the signal didn’t seem to be critical.  The modulation of the interfering signal was superimposed on the other signal without regard to the carrier frequency.  Subsequent research showed that most of the effect took place in the lower range of the audio frequencies.

Much to the dismay of conspiracy theorists, this is the phenomenon that the High Frequency Active Auroral Research Program (HAARP) was working with. It’s relatively easy to generate a strong radio signal in the High Frequency (HF) region. HAARP had transmitters that could generate 3.6 MW signals from 2.8-10 MHz and radiate them toward the ionosphere. This strong signal was able to generate the same kind of “heating” effects caused by Radio Luxembourg.

It’s more difficult to generate signals in the Extremely Low Frequency (ELF) region. Among other things, ELF signals are used to communicate with submarines. The main idea of HAARP was to generate these signals not in a transmitter, but in the ionosphere itself, by mixing two strong HF signals. For example, it would be practically impossible to generate a radio wave of 0.1 Hz with a transmitter. But by beaming two signals into the ionosphere, one at 4.000000 MHz, and one at 4.0000001 MHz, the result would be a radio wave, generated in the ionosphere, with a frequency of the difference, 0.0000001 MHz, or 0.1 Hz.

The phenomenon is sometimes called the Luxembourg-Gorky effect, since the powerful longwave transmitter at Gorky, USSR, produced similar effects.

References

 



One-Tube Wartime Receiver, 1945

RadioCraftFeb45

Radio parts were in short supply during the War, and radio enthusiasts had to make do with what they had. “H.T.,” a resident of Bothell, Washington, apparently had in his junk box a 1D8GT tube, and a low-impedance earphone, and wanted to know what he could do with them. So he wrote to the editors of Radio Craft magazine asking for a diagram of a receiver covering the broadcast band making use of the parts he had. He wanted to mount the earphone in the cabinet for use as a small speaker.

The editors indulged him and provided this diagram in the February 1945 issue. It was reprinted from the July 1940 issue, and showed how the combination diode-triode-pentode tube could be used in this circuit. The triode section of the tube was an RF amplifier, followed by the diode detector, with the pentode serving as an audio amplifier. Unfortunately for H.T., the low impedance earphone would need to be used in conjunction with an audio transformer. This set would drive a pair of high-impedance headphones, but to use it with his low-impedance earphone, it would need to be wired as shown for the speaker. So H.T. had to find himself either a set of hi-z headphones, or the output transformer, in addition to what he already owned.

The other hard-to-obtain part would be the variable capacitor. The circuit here shows a ganged condenser, but the response pointed out that two separate condensers would provide better results.

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Heathkit CB-1 “Benton Harbor Lunchbox”

HeathCB1

Most hams who have been around a while have encountered the “Benton Harbor Lunchbox.”  This was a series of transceivers from Heathkit, and the most common were the HW-30 “Twoer,” which covered two meters, and the HW-29 “Sixer” for six meters.  Less common was the HW-19 “Tener” for, you guessed it, ten meters.

These were very popular in their day.  They were a single-band transceiver.  The transmitter put out about 5 watts of AM, and the receiver was superregenerative.  The tuning was very broad, but once they locked on to a signal, they were surprisingly sensitive.

By the time I became a ham in the 1970’s, VHF AM was virtually gone.  There was one six-meter AM net in the Twin Cities that hung on, and I was a regular check-in with my Sixer and later a Gonset Communicator.  But FM had taken over two meters by then, and Twoers were basically given away for practically nothing, even though they were often in pristine condition.  I owned many of these little rigs, and at one time I owned a complete collection.

My collection included the lesser-known cousin, the Model CB-1 CB transceiver shown here.  The CB model came out in about 1960, and is shown here in this ad in the February 1960 issue of Popular Electronics.

It sold in kit form for $42.95, and was also available wired for $60.95.  It featured one crystal-controlled channel (the crystal was included).  The receiver was the same superregenerative receiver used in the other Lunch Boxes, and was calibrated for channels 1-23.  It had a built-in power supply for 120 volts.  For mobile use, it used an external power supply, which consisted of a vibrator and transformer.  The power was supplied to an octal plug on the back (the same as the bottom of a tube).  The 120 volt power cord and the DC power supply had  octal sockets on them, along with appropriate jumpers.

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Another Crystal Set for CONELRAD Reception

EmergencyXtalSetRadioTVExperimenter1955

60 years ago, CONELRAD was the system planned for keeping the American public informed in the event of a nuclear attack. As I’ve explained previously, the idea was for designated broadcast stations to operate on 640 or 1240 kHz. Stations would not transmit station identification, transmissions from individual stations would be short, and enemy bombers would be presented with a cacophony of signals useless for navigation purposes.

But power might be out. Battery-operated sets were rare, and most of those that existed sucked through expensive batteries quickly, since they had to power the filaments of the tubes. Undaunted, radio enthusiasts realized that a crystal set could be put to use. As I previously reported, Boys’ Life magaine touted a crystal set that could be put to use in an emergency.
Another Boys’ Life article included a CONELRAD receiver with one transistor that could run on two penlight batteries. And in a pinch, that set could be used without a battery, operating as a simple crystal set. And during the 1956 CONELRAD test, a Heathkit crystal set performed surprisingly well at receiving the emergency broadcasts, even outperforming commercial tube and transistor radios.

EmergencyXtalSetRadioTVExperimenter1955SchematicAnother example of crystal sets for emergency use is shown here, in the 1955 edition of Radio-TV Experimenter.  Author George P. Pearce (probably shown in the illustration above) describes the need:

If flood, tornado or air raids cause power failures, could you get emergency directions from the Conelrad stations the government has at 640 and 1240 on the dial? Even battery-powered sets couldn’t operate over an extended period of weeks, so why not build a crystal set that needs no power except the broadcast signal.

The author describes this set, which uses two 1N35 diodes along with two .001 uF capacitors in a voltage-doubler circuit. It uses basket-wound high-Q coils to pull in weak signals. It recommends a 100 foot antenna and good ground. He also suggests the use of the house wiring as an antenna, using a lamp cord, capacitor, and plug going in to the 120 volt house wiring. This ought to work, but if the power is on, you would be putting a lot of faith in that capacitor not being leaky as you put the headphones hooked to that antenna onto your head, just like they place the electrode of an electric chair.

The author notes that there’s nothing to wear out, and his set has operated for over three years.

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