The April 1950 issue of Radio Electronics carried the plans for this one-tube home broadcaster, dubbed the “Carry-Talkly” by author Otto Wooley, W0SGG. The microphone and chassis were easily sourced, since they were both war surplus, a Signal Corps BC-1366 jack box, and the T-17 microphone. The circuit used a 1R5 tube, and an 18-24 inch antenna provided a good signal around the house.

The author’s set was tuned to 550 kHz, although he pointed out that on a receiver with a high-gain IF stage, the broadcaster could be tuned to the intermediate frequency and be picked up regardless of the receiver’s dial position.

Roger Dickey of Grand Prairie, Texas, had been a radio serviceman since 1933, and had frequent requests from local farmers for a small economical battery operated radio. Even though the farms weren’t electrified, there were a number of strong local stations, including 50,000 watt WFAA only about 10 miles away. The expensive commercial sets on the market were overkill, and Dickey set out to come up with a better set suited to local needs.

He did so with the two-tube TRF set shown here, which he said performed about as well as a superheterodyne. The set used a 1N5GT as RF amplifier, with a dual tube, a 1D8GT serving as detector, and first and second AF stages. A short antenna pulled in all of the local stations during the day. At night, with the longer antenna, the set pulled in WGN and WMAQ from Chicago, WLW Cincinnati, and WSM Nashville, without any overload from the 50,000 watt station just ten miles down the road.

The design was featured in the April 1940 issue of Radio Craft magazine.

A hundred years ago this month, the April 1920 issue of Popular Science carried this ad for an induction coil and spark gap said to have a range of 25 miles using direct current. The induction coil, which consisted of a vibrator, primary winding, and secondary winding, would produce a high voltage alternating current using a 6 volt storage battery. This was fed to the quenched gap, which produced the spark to be radiated by the antenna. Together, the two components were the heart of the transmitter. The induction coil was also available in a 32 volt version for use on farm lighting circuits of that voltage. This setup was promised to make other amateurs in your state sit up and take notice when your signal showed up in the ether.

The two components were available together for $33.50. It was recommended to buy the set from your local dealer, but if none was available, the American Radio and Research Corporation would send it for five dollars down, with the balance plus postage paid C.O.D.

Since the set used high-quality surplus Signal Corps parts, only a limited number of sets could be made.

The ad showed the company has having its factory at Medford Hillside, Mass., with offices at 29 Park Row, New York.

Seventy-five years ago, station CKY in Winnipeg asked its listeners to submit reminiscences of the early days of radio. Many of these were published the the station’s monthly program guide, Manitoba Calling. This one appeared in the April, 1945, issue, which also carried the photo above of the station’s studio in 1928:

This one was sent in by W.J. Cooper of Steep Rock, Manitoba. The magazine noted that his was a familiar name as a loyal listener in the early days of the station.

My experiments in radio go back to the days when it was called wireless telegraphy. I think it was in about 1916 that I got some spark coils and rigged up a spark set. For a detector
I used two carbon blocks filed to a sharp edge. They stood on end and a fine needle was laid across the sharp edges. Our two stations were only a couple of hundred yards apart, but the
junk actually worked.

My next experience came in about 1922 -1923. Radio stations were springing up all over the continent. There were several stations operating in Winnipeg. (2 in 1923). They quit when
CKY took over broadcasting in Manitoba in 1923. My first set was almost entirely home -made, with the exception of the tube, socket, phones, and batteries. It took up all the space in a cabinet almost as big as a suitcase. The hook-up was a spider-web 3 circuit, single tube. After many nights’ efforts it was made to work. The first reception heard over it was the voice
of the announcer (now editor of Manitoba Calling). He closed by saying “goodbye everybody” and by blowing the call letters CKY on a whistle….

One of the big drawbacks of the early radio sets was that there were too many controls for anyone but the builder to know how to operate. One of the well known super-heterodyne sets had about 50 knobs, dials, verniers, jacks, switches and a couple of meters . . . Hardly anyone but the demonstrators could operate them. However, with the coming of sets with fewer controls, business soon picked up…. CKY was responsible for many pioneer achievements in Canadian broadcasting. Programmes were picked up by a listener’s receiving set in Winnipeg. (Actually two sets, one in Fort Rouge and one on Atlantic Ave., operated by Manitoba Telephone System officials). One night they broadcast the Night Hawks programme from WDAF in Kansas City.

In radio, the show must go on. And that’s so even if the leading lady is in the hospital. Shown here is Penny Singleton, playing the role of Mrs. Bumstead in the Blondie radio series. She was involved in an auto accident that resulted in two broken ribs. But from her hospital bed, she’s reading her lines.

The photo appeared 80 year ago today in the April 13, 1940, issue of Radio Guide.

Sixty years ago this month, the April 1960 issue of Electronics Illustrated carried a review of the Lafayette Sunflex radio kit (model KT-132). It derived its name from the fact that the two transistors did the work of three, thanks to reflexing, and that the set could be powered by the sun, using an optional solar battery. The set was said to be very sensitive, and also ran off two penlite batteries. Power switching was done by plugging the earphone into the appropriate jack–one for the internal battery, and the other for the solar battery.

The kit retailed for $11.95, with the solar battery selling for $7.75.  According to the magazine, the kit took about six hours to put together.

This musician-electronic hobbyist, shown on the cover of the April 1955 issue of Popular Electronics is playing the Theremin that he built according to the magazine’s plans. The magazine stressed that the project was not for beginners, but for those with some electronic experience, it was fairly easy to assemble.

Once built, the owner could use the instrument to play music, or to provide background sound effects for amateur theatricals. “A complete show can be produced by combining its abilities to emit both music and sound effects.”

The instrument depended on hand capacitance on the two antennas. The one marked “T” was the tone. The variable capacitance changed the frequency of an RF signal generated by an oscillator. This was mixed with another oscillator to produce a heterodyne which was amplified. The “V” antenna controlled the volume.

Several column inches were devoted to instructions on how to play the instrument, the final one being: “Practice! Practice! Practice! Practice!”  To give an idea of what the instrument sounds like for someone who did practice, here’s what a 1929 Theremin sounds like:

Building the Theremin today with modern solid-state components would probably be simpler, and definitely much cheaper than 65 years ago.  You can buy a Theremin already assembled.  If you just want to experiment with the concept, you can start with this inexpensive kit.