Seventy-five years ago today, the April 7, 1941, issue of Life Magazine carried this ad for the model L-500, as a second set for the study or den, with which you could enjoy your own program, while the family enjoys theirs on the big set in the living room.

The set was a basic “All American Five,” with a tube lineup of 12SA7, 12B7, 12SQ7, 50L6GT, and 35Z5GT tubes.  This set was ready to tune the entire broadcast band, with coverage up to 1700 kHz.  With the recent NARBA reallocations, the band now extended up to 1600.  The speaker was four inches, and the plastic cabinet was award winning, having “won the top award for styling in the nationwide Modern Plastics contest.”

A nicely preserved specimen of this set can be found at the Radio Attic Archives, courtesy of the California Historical Radio Society,

Also shown in the ad is the Model J-602, a restored example of which can be seen in this video:

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Yesterday, we presented the problem shown above and promised that we would show the solution today.  The problem isn’t particularly difficult, and there are probably other ways to do it.

Since 15 volts is measured across the 30K resistor (and R2), this means that 30 volts is dropped across R1, which happens to be twice as much as 15.  This means that R1 is twice as large as the combined parallel resistors.  Since only the ratio is important, it’s easier to work in kilohms rather than ohms:

R1 = 2 (30 R2 / (30 + R2))

We’re also told that R1 + R2 = 15.

They might look a bit messy, but we now have two equations and two unknowns, meaning that we can solve them.  In my scribbling below, I used the variables X and Y to keep things a bit more legible.

After crunching the numbers (including use of the dreaded quadratic formula), we arrive at the answer:

R1 = 9416 ohms, and R2 = 5584 ohms,  [See the comment from eagle-eyed K3CHJ who caught my earlier typo!]

the same answer given in the June issue.  So when you asked your poor sainted algebra teacher, “when will we ever have to use this in the real world?,” he or she should have pointed out that you might need it someday for your blog.

During the 1950’s, QST ran a regular feature called Quist Quiz, which presented an electronic brain teaser. This one appeared in the May 1959 issue.

I’ll provide the solution tomorrow.  If you can’t wait, you can look in the June 1959 issue, where the answer (but not the full solution) is shown.

Unless you want to do a lot of trial and error, you’ll probably need to use the quadratic formula,  Back in the day, the 1959 ham probably had to go dig out his old algebra textbook.  Today, you can just click on the link and Wikipedia will help you.

Traditionally, the April issue of QST magazine carries one groundbreaking technical article. The first one I recall came out the first year I was licensed, in the April 1974 issue.  This article espoused the virtues of a new form of modulation, namely, Suppressed Sideband A-M Telephony. The author, a Canadian genius named N.G. Attaway, VO1DER, proposed an alternative to single sideband. Instead of suppressing the carrier, he suppressed the sidebands and kept the carrier.

Attaway wrote:

One remarkable fact struck us: the amplitude of the modulated carrier was never modulated in amplitude modulation! To verify this, one needs only to listen to any a-m signal with the BFO on in the receiver. The carrier just sits there and carries. Only it doesn’t really even “carry” anything either. It just sits there.

Attaway presented a simple method to suppress the sidebands, but keep the carrier. Because the carrier has no bandwidth, he points out that SSA-M (suppressed sideband A.M.) doesn’t cause QRM. He points out: “In fact, in all of our transmissions to date, we have received no reports of having caused interference to anyone!”

The June issue contained a number of laudatory letters from readers. One, for example, from a confirmed CW man, was very encouraged by the way in which Attaway’s system eliminated phone QRM. A letter in the August issue took these letter writers to task, as the August letter writer was under the impression that the April article was actually an April Fools’ joke.

My favorite ever letter to the editor of QST appeared in the October 1974 issue, from a writer who was also apparently of the opinion that the April article was a joke. He called the article a “potential time bomb.”

The writer, Dr. Chas. R. Fisher, K0TYB/K4KGN of Oak Ridge, Tennessee (I’m guessing a nuclear scientist) had always been bothered by such articles. He noted that QST is “kept in all technical and scientific libraries as one of the foremost reference journals and is used more by non-hams than hams in this instance.” He noted that these scientists might be skimming through magazines, without “reading details which might clue them in on a gag and the articles are not plainly marked.”

Fisher notes that this could lead to death! “What about a deliberate, well designed deception resulting in damage or potentially death? I think every April issue you have put out is a potential time-bomb for the League in this sense. An [anonymous, of course] attorney agrees that if the articles appear as I say and intent is shown, the ARRL would porentially be found liable!”

Now that we have this Google thingie, it is my hope that researchers investigating SSA-M will find this post, in addition to the 1974 article. It is my fervent hope that they heed the warning: Suppressed Sideband AM can cause (by some mechanism which is unclear) death!

I hope I have defused that particular time-bomb.

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Shown here is apparently the first ever advertisement for a home radio set. It appeared in Scientific American, January 13, 1906.  The manufacturer, the Electro Importing Company, was the venture of none other than Hugo Gernsback, the prolific radio and science fiction writer and the namesake of the science fiction Hugo awards.

Gernsback wrote about this set a half century later in the March 1956 issue of Radio-Electronics magazine, which he edited.  In the article, he recounts having started the company in 1905, at which time there were few wireless stations. Therefore, it was necessary to sell both a transmitter and receiver. The set was named the TELIMCO, a contraction of the company’s name. Only a handful of the sets were sold in 1905, but he began quantity production in 1906 and took out the ad in Scientific American.

In addition to selling the sets by mail order, it “was sold through many large outlets, including such famous ones as Macy’s, Gimbel’s and F.A.O. Schwartz.” He recounted the “incredulous looks of many of the store owners when there were first approached to buy ‘wireless sets.’ It was necessary to make a demonstration in each case before anyone would stock them.”

The set was originally priced at $7.50, but the price was later raised to $10, and most were sold for that price. The transmitter, powered by three dry cells, consisted of a spark coil and spark gap consisting of two balls 1/8 inch apart.

The receiver consisted of a coherer, which was wired to a very sensitive relay which ran a bell. The bell was set in such a way as to dislodge the iron and silver filings in the coherer.

According to Gernsback, the set had a range of about 300-500 feet without an external ground connection. With an elevated antenna 50-100 feet long and a good ground, many users were able to get reception over the promised one mile, with some reporting even greater distances.

The aerial wires on the transmitter itself, fashioned as a dipole, were about 1-1/2 feet long. Gernsback notes that the set had no tuning, but the antenna length indicates that the set was actually transmitting on frequencies above 30 MHz, long before those frequencies came into common usage.

In 1956, Gernsback built a recreation of the early transmitter, which is currently in the collection of the Henry Ford Museum in Dearborn, Michigan.  It is pictured in the book Henry’s Attic: Some Fascinating Gifts to Henry Ford and His Museum.  You can also read more about the set at The Gernsback Story by Ed Raser W2ZI.

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As we previously reported, today marks the 75th anniversary of a major change in the standard AM broadcast band in North America.  At 3:00 AM on March 29, 1941, most stations in the United States and Canada moved up the dial slightly.  The broadcast band was expanded to accommodate Mexican clear channel stations, and the result was that most American and Canadian stations had to make changes to their transmitter frequency.

At the time, millions of American radio receivers had pushbutton tuning, and all of those buttons had to be reset for the new frequencies, resulting in a small boom for servicemen.  Shown above is the cover of the March 1941 issue of Radio Retailing, showing a serviceman making the change on a small table set.

The magazine stressed the fact that the change was an opportunity for dealers to make contact with customers, “an absolutely unique invitation to more more major merchandise, with the promotional expense at least partially covered by service and accessory sales.”

It noted that most dealers were charging about $1 for the service call, with higher charges in some areas. For example, the Philadelphia Radio Service Men’s Association recommended a $2 charge. Some dealers were charging $1 if the set was brought in, or $1.50 if the work was done in the customer’s home.

The magazine suggested that the service call could offer an opportunity to perform other service, such as cleaning or alignment, especially if the set had to be removed from its cabinet.

Being in the customer’s home also represented an opportunity to sell a new set or even another appliance.

The magazine’s April issue reported that the overall effects of the shift were good, with interference being eliminated in many cases. While dealers reported reports for service calls, there were not as many as expected, and there was no “service jam.” It also encouraged dealers to keep up their promotional efforts:

And a big job it is. The radio dealer’s opporunity to profit by using reallocation resetting as a stepping-stone to additional business is just beginning. 10,000,000 people with pushbutton-tuned radios can’t be contacted overnight. It will be weeks before the public becomes fully aware of what is missing through failure to have adjustments made. And it will take months of selling to induce them to do it.

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Happy Easter from OneTubeRadio.com!

The portrait of the Easter Bunny shown here comes from the cover of Manitoba Calling, April 1946, the magazine and program schedule published by CKY in Winnipeg.

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This graph provides an interesting glimpse of the state of American broadcasting 90 years ago. It appeared in the March 1926 issue of Radio Broadcast, and shows the number of stations, and their powers and frequencies, as of November 1, 1925. It shows a total of 536 stations then on the air.

The vertical axis shows the number of stations, and the horizontal axis is the frequency. The top of the broadcast band (1500 kHz) is at the left, and the bottom (550 kHz) is at the right. The most occupied channel was 1090 kHz, with 26 stations. Fourteen channels had one station of 5000 watts or more, those frequencies being 570, 580, 610, 620, 710, 720, 780, 790, 870, 920, 930, 970, 1090, and 1380 kHz.

Interestingly, the top of the dial, 1180-1480 kHz had considerably more stations. I assume that this was because the bottom of the dial was largely populated with legacy stations. 910 kHz was vacant. This frequency is the second harmonic of the most common intermediate frequency employed in most modern receivers, 455 kHz. Since there were few superhets in use at that time, I assume that 455 was later picked because 910 was vacant, rather than 910 being left vacant because of the IF’s.

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We’ve previously mentioned prolific radio author Tom Kneitel, best known by his 1960’s era call sign, K2AES.  Starting 50 years ago this month with the March 1966 issue of Electronics Illustrated, Kneitel wrote the regular column Uncle Tom’s Corner, which he continued until the magazine’s demise in 1972.

His first column carried a sidebar with a biography, calling him an “irascible misanthrope, a rabble rouser and the dirty old man of electronics.” It noted that he was the leading writer on the subject of SWL’ing who later “gave the Citizens Band its name and was instrumental in making it into the world’s most dynamic radio service.”

According to the biography, Kneitel was born in Brooklyn in 1933 and got his start in electronics as a disc jockey. He later spent six years with United Artists, “selling 16mm films in–of all places–Greenland and Liberia.” In 1966, he had lived in New York, Florida, California, and Oklahoma. It noted that he drove a Jaguar and had a bloodhound named Zelda.

Kneitel had earlier held the calls K3FLL and WB2AAI. Prior to his death in 2008, he was W4XAA.

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